The opening night of Calamity Jane at the Churchill Theatre was a true delight, transporting me back to my youth when I once performed in this very musical – Yeehaw!
If you’ve seen the 1953 film starring Doris Day, you’ll already know some of the magic. But this new stage adaptation reimagines the classic with warmth, humour, and energy. It’s a full-hearted, feel-good production that has the audience smiling, clapping, and singing along to iconic numbers such as The Black Hills of Dakota, Windy City, Once I Had a Secret Love, and The Deadwood Stage.
From the very first whip-crack, the show bursts into life. Carrie Hope Fletcher (actress, author, and vlogger) takes on the title role with gusto. As Calamity Jane, she is feisty and fearless, constantly on the move between Deadwood and Chicago in search of a star to liven up the Golden Garter waterhole saloon. Fletcher brings not only boundless energy to the role but also a tender vulnerability, which shines through most powerfully in her rendition of Secret Love. She captures Calamity’s tough exterior while revealing the softness and longing beneath — a performance Doris Day herself would be proud of.
The ensemble cast is equally strong, providing rhythm, energy, and heart throughout. Their harmonies and musicianship, with many cast members doubling as on-stage instrumentalists, enrich the storytelling and keep the atmosphere buzzing. Numbers like The Black Hills of Dakota flow seamlessly from scene to scene, drawing the audience deeper into the world of Deadwood. A special mention must go to the wonderfully talented banjo player, whose lively strumming and charismatic presence added extra charm and humour to several key scenes, lifting the energy every time he appeared.
Beyond the music, there’s also the matter of chemistry — the unspoken sparks between Calamity and Wild Bill Hickok smoulder throughout the performance. Their playful clashes, knowing glances, and tender moments bring depth to the story, reminding us that even the most headstrong characters can be softened by love. This slow-burning connection keeps the audience hooked until their relationship finally blossoms.
Visually, the production makes clever use of staging and set design to capture the rustic charm of the Wild West. The Golden Garter saloon is lively and vibrant, while the moments in the Black Hills feel open and expansive, contrasting beautifully. Costumes, too, strike the balance between grit and glamour, with Calamity’s rugged attire softening as her character’s journey unfolds.
The audience response said it all — a packed house, with clapping, cheering, and even standing ovations ringing through the theatre. It was impossible not to get swept up in the joy and spirit of the show.
This is more than a nostalgic revival; it’s a fresh, whip-crackin’ take on a classic musical that appeals to all ages. Whether you’re revisiting old favourites or discovering Calamity Jane for the first time, it’s an entertaining and heartwarming night out for family and friends.
Calamity Jane runs at the Churchill Theatre until Saturday, 20th September. Don’t miss it!
Zeenat Noorani, 18 September 2025
Bromley Buzz 